SIMON RUTTER is an Englishman who has largely wasted his
life in a series of increasingly pointless middle management jobs in large
corporations. This has, however, allowed him to see the world at someone else's
expense and he has lived in the United States, the Middle East, Continental
Europe and the Antipodes. He tweets and maintains a blog with the grim sense of
duty and sclerotic rhythm of a rheumatic gravedigger because, apparently, one
has to. He is a vegan, politically active on animal welfare issues and a
competitive cyclist. He attacks literature and life with a savage joie de
vivre. His strongest literary influences are Waugh, Orwell, Vidal, Lessing,
LeGuin and Gibson.
WITHOUT A CITY WALL is his fourth novel but the first to be
submitted for publication. You didn’t miss anything with the first three.
KNOTTED THICKET: What are some of your favorite books? Do you reread old favorites
or are you always working on your to-read pile?
or are you always working on your to-read pile?
SIMON RUTTER: I find the fiction that most resonates with me is strongly
character driven and, usually, with some element of transformation or
redemption for the protagonist. The novels I that regularly re-read tend to be
those that had a huge impact on my when I was young. I regularly revisit books
by Waugh, Greene and Orwell. In particular I greatly admire the Sword of Honour trilogy, Our Man in Havana and Keep the Aspidistra Flying.
One science fiction book that had a revelatory effect on me
when I first read it was Neuromancer
by William Gibson. I bought the first edition paperback in the winter of 1985
and read it while waiting for a train in King's Cross station. Today King's
Cross is a pristine and glassy temple to consumerism with a Harry Potter
gimmick but in 1984 it was a soot smeared, dimly lit cavern of junkies and
prostitutes and therefore provided the perfect context in which to read Neuromancer. With the wisdom that inevitably
accrues to the aged I now see that Gibson somewhat co-opted Neuromancer's heady blend of brand
fetishism and nihilism from Ian Fleming but it is still a brilliant and
genuinely groundbreaking book that I love.
KT: How much research do you do when writing science fiction?
KT: How much research do you do when writing science fiction?
SR: I do almost no active research. If I see or read something
that will make a compelling theme or plot element I make a note of it for later
use. One of the joys of being a science fiction author is that we get to strike
the shackles of the mundane. I do take great pains to make sure that the
science elements in the books are at least plausible and consistent within the bounds
of my amateur knowledge.
A malcontent in my writing group, let's call him John, once
challenged one of my stories for not correctly observing the effects of special
relativity on near lightspeed travel. So I said to him, “OK, there's a device
on the ship called The John Box which suppresses the effects of special
relativity. Are you any happier now?”
KT: You've got a fun list on your blog of SF books you want to read but not write. How do you decide which ideas you want to develop into a book?
KT: You've got a fun list on your blog of SF books you want to read but not write. How do you decide which ideas you want to develop into a book?
SR: For me it always starts with the characters. I usually blend
characteristics from people I know and grotesquely exaggerate them for dramatic
effect. Lucy in Without a City Wall
is based on someone with whom I used to work. I thought she was an interesting
individual and began to ponder the character's actions and reactions on a
broader dramatic stage.
Also, if executed to a high standard, writing a novel is a
vast amount of work; literally thousands of hours. Therefore I have to be
rabidly enthusiastic about the themes and ideas in order to take it on. I
usually have two or three book concepts in rough outline form and then select
one as my next project. A quick glimpse at my notebook reveals that I currently
have four ideas in outline form.
KT: What are some of your (non-writing-related) hobbies?
KT: What are some of your (non-writing-related) hobbies?
SR: I love linguistics and languages. In the past I've studied
Russian and German but at the moment I am studying French and preparing for the
Diplôme d'études en langue française B2 exam in November. I'm saving Arabic for
my seventies.
I'm also a very keen cyclist and enjoy every aspect of it
apart from the inevitable crashes.
