I finished reading Moira J. Moore's Heroes Adrift yesterday. I liked it enough to put it on my recommended list (like that means anything), and I'm looking forward to what she does with the next book. But while I was impressed with some aspects of the book--she's taking the series in an unexpected direction, and I like it--I thought there just wasn't enough of the really fascinating aspect of the world, the channeling of destructive natural forces that the two main characters do together. There was hardly any of that going on.
Same with that book I read several months ago, Dead to Me by Anton Strout. The main character is a psychometrist but I didn't think there was enough psychometry in the book. Hey, I'm interested in this stuff! Don't get me hooked and then drop the one thing that hooked me in the first place!
That's my reaction as a reader. As a writer, I know it's not always possible to arrange the plot so that the hooky stuff keeps popping up. The hook in The Taste of Magic is Ana's healing abilities. I start the book off with big important chunks of action mostly revolving around healing, but then I have to drop it for a while. There is other stuff going on in the book, after all. Now I'm over 30k words in and I'm starting to think I need to work in another healing session. Because writers are all hookers, baby!
So does that make agents pimps? :)
Of course! Pfft, you had to ask?
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